In my last post
we talked about the lack of national identity in 19th-century
Finland, resulting in the population’s pride in Sibelius’ nationalistic Finlandia. A similar pride developed in
Spain during the 20th century following the premiere of Joaquín
Rodrigo’s Concierto de Aranjuez. The
work was first performed in 1940, not long after the end of the Spanish Civil
War. Inspired by Spanish classical and folk music, art, and literature, the
piece is exactly what Spain needed to hold onto a sense of national pride.
Joaquín Rodigo
was blind from the age of three yet showed musical talent early on, studying
with the famous composer Paul Dukas. Rodrigo had a strong interest in the
classical guitar, at least 6 of his 13 concertos involving the instrument.
Aiming to create a Spanish ambiance in his music, the Concierto de Aranjuez references the flamenco style and Spanish folksong.
Rodrigo noted that the piece was named for the royal palace located between
Madrid and Toledo. Describing the concerto, Rodrigo once commented, “It should sound like the hidden breeze
that stirs the treetops in the parks, as strong as a butterfly, as dainty as a verónica [a classic pass in bullfighting].”
Below you can listen to the Adagio from this concerto. This
movement is known as one of the most-recognized guitar melodies in history.
Take note of the beautiful lyricism used in this work. Perhaps the piece became
instantly popular following its premiere because it evokes a romanticized idea
of how the composer viewed his country rather than the difficult reality they
had just experienced during a civil war? What do you think?
